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<title>p.o.s.t - muzak</title>
<description>Méta-moi</description>
<link>http://post.hautetfort.com/muzak/</link>
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<item>
<guid isPermaLink="true">http://post.hautetfort.com/archive/2008/01/31/consensus-islamophobe.html</guid>
<title>Consensus islamophobe</title>
<link>http://post.hautetfort.com/archive/2008/01/31/consensus-islamophobe.html</link>
<author>noreply@hautetfort.com (Paratext)</author>
<category>Analectes</category>
<category>Muzak</category>
<pubDate>Thu, 31 Jan 2008 10:30:00 +0100</pubDate>
<description>
&lt;br /&gt; &lt;p class=&quot;introcopy&quot;&gt;&quot;&lt;i&gt;An “overwhelming majority” of Europeans believe immigration from Islamic countries is a threat to their traditional way of life, a survey revealed last night.&lt;/i&gt;&lt;/p&gt; &lt;p align=&quot;justify&quot;&gt;&lt;i&gt;The poll, carried out across 21 countries, found “widespread anti-immigration sentiment”, but &lt;b&gt;warned Europe’s Muslim population will treble in the next 17 years&lt;/b&gt;.&lt;/i&gt;&quot;&lt;/p&gt; &lt;div align=&quot;justify&quot;&gt;&lt;/div&gt; &lt;p align=&quot;justify&quot;&gt;&amp;nbsp;&lt;/p&gt; &lt;div align=&quot;justify&quot;&gt;&lt;/div&gt; &lt;p align=&quot;justify&quot;&gt;&lt;a href=&quot;http://www.express.co.uk/posts/view/32867/Europeans-think-Islam-is-dangerous&quot; target=&quot;_blank&quot;&gt;Europeans think Islam is dangerous&lt;/a&gt;&lt;/p&gt; &lt;div align=&quot;justify&quot;&gt;&lt;/div&gt; &lt;p align=&quot;justify&quot;&gt;&amp;nbsp;&lt;/p&gt; &lt;div align=&quot;justify&quot;&gt;&lt;/div&gt; &lt;p align=&quot;justify&quot;&gt;Tripler dans les 17 prochaines années...&amp;nbsp; Bonne année, alors, profitez bien de 2008, les suivantes risquent d'être quelque peu mouvementées.&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;div style=&quot;text-align: center&quot;&gt;&lt;object classid=&quot;clsid:D27CDB6E-AE6D-11cf-96B8-444553540000&quot; codebase=&quot;http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,29,0&quot; width=&quot;425&quot; height=&quot;355&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/GBTn6SFtk3c&amp;amp;rel=1&quot; /&gt; &lt;param name=&quot;quality&quot; value=&quot;high&quot; /&gt; &lt;param name=&quot;menu&quot; value=&quot;false&quot; /&gt; &lt;param name=&quot;wmode&quot; value=&quot;&quot; /&gt; &lt;embed src=&quot;http://www.youtube.com/v/GBTn6SFtk3c&amp;amp;rel=1&quot; wmode=&quot;&quot; quality=&quot;high&quot; menu=&quot;false&quot; pluginspage=&quot;http://www.macromedia.com/go/getflashplayer&quot; type=&quot;application/x-shockwave-flash&quot; width=&quot;425&quot; height=&quot;355&quot; /&gt;&lt;/object&gt;&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;
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<guid isPermaLink="true">http://post.hautetfort.com/archive/2008/01/14/duel.html</guid>
<title>Duel</title>
<link>http://post.hautetfort.com/archive/2008/01/14/duel.html</link>
<author>noreply@hautetfort.com (Paratext)</author>
<category>Muzak</category>
<pubDate>Mon, 14 Jan 2008 18:15:00 +0100</pubDate>
<description>
&lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;div style=&quot;text-align: center&quot;&gt;&lt;object classid=&quot;clsid:D27CDB6E-AE6D-11cf-96B8-444553540000&quot; codebase=&quot;http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,29,0&quot; width=&quot;425&quot; height=&quot;355&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/VZgwW-RzD30&amp;amp;rel=1&quot; /&gt; &lt;param name=&quot;quality&quot; value=&quot;high&quot; /&gt; &lt;param name=&quot;menu&quot; value=&quot;false&quot; /&gt; &lt;param name=&quot;wmode&quot; value=&quot;&quot; /&gt; &lt;embed src=&quot;http://www.youtube.com/v/VZgwW-RzD30&amp;amp;rel=1&quot; wmode=&quot;&quot; quality=&quot;high&quot; menu=&quot;false&quot; pluginspage=&quot;http://www.macromedia.com/go/getflashplayer&quot; type=&quot;application/x-shockwave-flash&quot; width=&quot;425&quot; height=&quot;355&quot; /&gt;&lt;/object&gt;&lt;/div&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p align=&quot;center&quot;&gt;Wolf Parade - &lt;i&gt;I'll believe in anything&lt;/i&gt;&lt;/p&gt;
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<guid isPermaLink="true">http://post.hautetfort.com/archive/2007/11/30/demain-j-arrete.html</guid>
<title>Demain, j'arrête...</title>
<link>http://post.hautetfort.com/archive/2007/11/30/demain-j-arrete.html</link>
<author>noreply@hautetfort.com (Paratext)</author>
<category>Analectes</category>
<category>Muzak</category>
<pubDate>Fri, 30 Nov 2007 20:35:00 +0100</pubDate>
<description>
&lt;p&gt;Fred Chichin parti, il nous reste Jean-Louis Murat.&lt;/p&gt; &lt;p&gt;&lt;img width=&quot;156&quot; src=&quot;http://post.hautetfort.com/media/00/02/758a374a84e08c5c273dad3f4a648fb6.jpg&quot; alt=&quot;b8de56371ecba07d8150d30abbe635b7.jpg&quot; height=&quot;100&quot; style=&quot;float: left; margin: 0.2em 1.4em 0.7em 0pt; border-width: 0pt&quot; id=&quot;media-695416&quot; /&gt; &lt;img width=&quot;146&quot; src=&quot;http://post.hautetfort.com/media/00/00/46d0073c2b00a7e94befa275ccbf3b3b.jpg&quot; alt=&quot;4a9480971aa8e24fad1d651cc19f9e4b.jpg&quot; height=&quot;100&quot; style=&quot;float: left; margin: 0.2em 1.4em 0.7em 0pt; border-width: 0pt&quot; id=&quot;media-695418&quot; /&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&quot;Michaux ou René Char me tombent des mains! J'aime mieux me replonger dans la lecture des chansons de Pierre Jean de Béranger, dont je viens de faire un album de reprises. Il faut d'urgence rééditer ses textes! Au XIXe siècle, c'était une star, admirée par Victor Hugo, Goethe ou Lamartine. Il a été complètement autodidacte, comme moi, et il est devenu l'un des plus grands poètes du XIXe siècle. La richesse de son&amp;#8230;&lt;/p&gt;
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<guid isPermaLink="true">http://post.hautetfort.com/archive/2007/11/15/pschittt.html</guid>
<title>Pschittt !</title>
<link>http://post.hautetfort.com/archive/2007/11/15/pschittt.html</link>
<author>noreply@hautetfort.com (Paratext)</author>
<category>Journal 2</category>
<category>Muzak</category>
<pubDate>Thu, 15 Nov 2007 10:25:00 +0100</pubDate>
<description>
&lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;div style=&quot;text-align: center&quot;&gt; &lt;div style=&quot;text-align: center&quot;&gt;&lt;img src=&quot;http://post.hautetfort.com/media/00/01/4845c9e0b95b0a105be4534113ff68a5.jpg&quot; id=&quot;media-665371&quot; alt=&quot;4845c9e0b95b0a105be4534113ff68a5.jpg&quot; style=&quot;border-width: 0pt; margin: 0.7em 0pt&quot; name=&quot;media-665371&quot; /&gt;&lt;/div&gt; &lt;/div&gt; &lt;p align=&quot;justify&quot;&gt;Cela me trotte en tête depuis un certain temps. Je crois que l'heure est venue.&lt;br /&gt; Voilà, moi aussi, j'entame une grève. Sans préavis. Illimitée.&lt;br /&gt; Je fais la grève de l'information. Et la grève du blog.&lt;br /&gt; Je constate qu'un sevrage s'impose, pour des raisons de temps, de sanité. Un recentrage. Privilégier l'étude, la famille, les vrais projets.&lt;br /&gt; A la corbeille, les flux RSS, à l'index, les blogs... Ils ont été pour moi source de savoir, de divertissement. Ils deviennent un peu trop&amp;#8230;&lt;/p&gt;
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<guid isPermaLink="true">http://post.hautetfort.com/archive/2007/11/07/c-est-la-noise-que-j-prefere-4.html</guid>
<title>C'est la noise que j'préfère (4)</title>
<link>http://post.hautetfort.com/archive/2007/11/07/c-est-la-noise-que-j-prefere-4.html</link>
<author>noreply@hautetfort.com (Paratext)</author>
<category>Muzak</category>
<pubDate>Wed, 07 Nov 2007 21:35:00 +0100</pubDate>
<description>
&lt;p&gt;&amp;nbsp;&lt;a href=&quot;http://post.hautetfort.com/media/00/02/8faa8135375e039d0b89e7b77848b592.mp3&quot;&gt;&lt;img src=&quot;http://static.hautetfort.com/backend/blogs/images/extras/podcast.jpg&quot; border=&quot;0&quot; alt=&quot;podcast&quot;/&gt;&lt;/a&gt;&lt;object type=&quot;application/x-shockwave-flash&quot; data=&quot;http://static.hautetfort.com/backend/blogs/images/extras/dewplayer.swf?son=http://post.hautetfort.com/media/00/02/8faa8135375e039d0b89e7b77848b592.mp3&quot; width=&quot;200&quot; height=&quot;20&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://static.hautetfort.com/backend/blogs/images/extras/dewplayer.swf?son=http://post.hautetfort.com/media/00/02/8faa8135375e039d0b89e7b77848b592.mp3&quot; /&gt;&lt;param name=&quot;pluginspage&quot; value=&quot;http://www.macromedia.com/go/getflashplayer&quot; /&gt;&lt;param name=&quot;wmode&quot; value=&quot;transparent&quot; /&gt;&lt;/object&gt;&lt;/p&gt; &lt;p align=&quot;justify&quot;&gt;La pop à l'urgence punk et à la désinvolture de slacker qu'a martelé &lt;b&gt;Sebadoh&lt;/b&gt; dans les années 90 a longtemps constitué, pour moi, une sorte de perfection de ce que le rock pouvait sécréter à travers sa jeunesse américaine. Avec Pavement, l'équivalent moins torturé et plus rigolard, ils se sont à l'époque mis dans la poche les esthètes rebelles de tout poil, en dur ou en toc, en martyrisant leurs instruments électriques. Pour en sortir du bruit, d'abord, mais l'énergie électrique&amp;#8230;&lt;/p&gt;
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<guid isPermaLink="true">http://post.hautetfort.com/archive/2007/10/20/john-wayne-gacy-jr.html</guid>
<title>John Wayne Gacy, Jr.</title>
<link>http://post.hautetfort.com/archive/2007/10/20/john-wayne-gacy-jr.html</link>
<author>noreply@hautetfort.com (Paratext)</author>
<category>Muzak</category>
<pubDate>Sat, 20 Oct 2007 14:45:00 +0200</pubDate>
<description>
&lt;p&gt;&lt;object classid=&quot;clsid:D27CDB6E-AE6D-11cf-96B8-444553540000&quot; codebase=&quot;http://download.macromedia.com/pub/shockwave/cabs/flash/swflash.cab#version=6,0,29,0&quot; width=&quot;425&quot; height=&quot;350&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://www.youtube.com/v/otx49Ko3fxw&quot; /&gt; &lt;param name=&quot;quality&quot; value=&quot;high&quot; /&gt; &lt;param name=&quot;menu&quot; value=&quot;false&quot; /&gt; &lt;param name=&quot;wmode&quot; value=&quot;&quot; /&gt; &lt;embed src=&quot;http://www.youtube.com/v/otx49Ko3fxw&quot; wmode=&quot;&quot; quality=&quot;high&quot; menu=&quot;false&quot; pluginspage=&quot;http://www.macromedia.com/go/getflashplayer&quot; type=&quot;application/x-shockwave-flash&quot; width=&quot;425&quot; height=&quot;350&quot; /&gt;&lt;/object&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt; &lt;p&gt;&quot;His father was a drinker and his mother cried in bed&lt;br /&gt; Folding John Wayne’s t-shirts when the swingset hit his head&lt;br /&gt; The neighbors they adored him&lt;br /&gt; For his humor and his conversation&lt;br /&gt; Look underneath the house there&lt;br /&gt; Find the few living things, rotting fast, in their sleep&lt;br /&gt; Oh the dead&lt;br /&gt; 27 people&lt;br /&gt; Even more, they were boys, with their cars, summer jobs&lt;br /&gt; Oh my God&lt;br /&gt; Are you one of them?&lt;br /&gt; He dressed up like a clown for them&lt;br /&gt; With his face&amp;#8230;&lt;/p&gt;
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<guid isPermaLink="true">http://post.hautetfort.com/archive/2007/10/05/c-est-la-noise-que-j-prefere-3.html</guid>
<title>C'est la noise que j'préfère (3)</title>
<link>http://post.hautetfort.com/archive/2007/10/05/c-est-la-noise-que-j-prefere-3.html</link>
<author>noreply@hautetfort.com (Paratext)</author>
<category>Muzak</category>
<pubDate>Fri, 05 Oct 2007 20:55:00 +0200</pubDate>
<description>
&lt;p&gt;&lt;img src=&quot;http://post.hautetfort.com/media/00/00/60d8ba02a458df2a66f0f5929e01a627.jpg&quot; id=&quot;media-586305&quot; alt=&quot;60d8ba02a458df2a66f0f5929e01a627.jpg&quot; style=&quot;border-width: 0pt; margin: 0.2em 1.4em 0.7em 0pt; float: left&quot; /&gt;Sonic Youth. Parce que dès le premier disque, ils étaient les meilleurs.&lt;/p&gt; &lt;p&gt;&lt;i&gt;World Looks Red&lt;/i&gt; (Confusion is sex - 1995)&lt;/p&gt; &lt;p&gt;&lt;a href=&quot;http://post.hautetfort.com/media/01/02/1eabaa3acec2ab2aaa402d683b62c14d.mp3&quot;&gt;&lt;img src=&quot;http://static.hautetfort.com/backend/blogs/images/extras/podcast.jpg&quot; border=&quot;0&quot; alt=&quot;podcast&quot;/&gt;&lt;/a&gt;&lt;object type=&quot;application/x-shockwave-flash&quot; data=&quot;http://static.hautetfort.com/backend/blogs/images/extras/dewplayer.swf?son=http://post.hautetfort.com/media/01/02/1eabaa3acec2ab2aaa402d683b62c14d.mp3&quot; width=&quot;200&quot; height=&quot;20&quot;&gt;&lt;param name=&quot;movie&quot; value=&quot;http://static.hautetfort.com/backend/blogs/images/extras/dewplayer.swf?son=http://post.hautetfort.com/media/01/02/1eabaa3acec2ab2aaa402d683b62c14d.mp3&quot; /&gt;&lt;param name=&quot;pluginspage&quot; value=&quot;http://www.macromedia.com/go/getflashplayer&quot; /&gt;&lt;param name=&quot;wmode&quot; value=&quot;transparent&quot; /&gt;&lt;/object&gt;&lt;/p&gt; &lt;p&gt;&amp;nbsp;&lt;/p&gt;
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<title>C'est la noise que j'préfère (2)</title>
<link>http://post.hautetfort.com/archive/2007/09/25/c-est-la-noise-que-j-prefere-2.html</link>
<author>noreply@hautetfort.com (Paratext)</author>
<category>Muzak</category>
<pubDate>Tue, 25 Sep 2007 19:05:00 +0200</pubDate>
<description>
&lt;p align=&quot;justify&quot;&gt;&lt;a href=&quot;http://www.amazon.fr/gp/product/B000002LRJ/ref=s9_asin_title_1/402-4156948-7497737?pf_rd_m=A1X6FK5RDHNB96&amp;amp;pf_rd_s=center-2&amp;amp;pf_rd_r=0460N63G69JDGCSBQ2PQ&amp;amp;pf_rd_t=101&amp;amp;pf_rd_p=136509591&amp;amp;pf_rd_i=405320&quot; title=&quot;7,96 euros, chez Amazon.fr !&quot; target=&quot;_blank&quot;&gt;&lt;img src=&quot;http://post.hautetfort.com/media/01/00/e4f2c968061906b803b33dce625353c2.jpg&quot; id=&quot;media-567782&quot; alt=&quot;e4f2c968061906b803b33dce625353c2.jpg&quot; style=&quot;border-width: 0pt; margin: 0.2em 1.4em 0.7em 0pt; float: left&quot; name=&quot;media-567782&quot; height=&quot;221&quot; width=&quot;221&quot; /&gt;&lt;/a&gt;A la question &quot;Si tu devais ne garder qu'un seul disque ?&quot;, il m'est souvent arrivé de répondre &lt;i&gt;Loveless&lt;/i&gt;. Avant tout, cet album a irrigué quelques unes de mes années post-adolescentes, et son écoute réactive toujours à coup sûr une sensation sépia plutôt agréable. Mais d'un point de vue uniquement musical, on peut dire que ce disque est une de ces pierres blanches qui jalonnent l'histoire du rock (indépendant). Kevin Shields utilise déjà dans l'album précédent l'échantillonnage des guitares mais avec&amp;#8230;&lt;/p&gt;
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<title>C'est la noise que j'préfère (1)</title>
<link>http://post.hautetfort.com/archive/2007/09/18/c-est-la-noise-que-j-prefere.html</link>
<author>noreply@hautetfort.com (Paratext)</author>
<category>Muzak</category>
<pubDate>Tue, 18 Sep 2007 14:20:00 +0200</pubDate>
<description>
&lt;p&gt;Puisque &lt;a href=&quot;http://fromageplus.hautetfort.com/&quot; target=&quot;_blank&quot;&gt;Fromageplus&lt;/a&gt; tarde à nous abreuver de son &quot;keupon de la semaine&quot;, je m'en vais créer la Noise de la semaine.&lt;br /&gt; &lt;br /&gt; &quot;Prononc. et Orth.: [nwa:z]. [--] vieilli et provincial selon ROUSS.-LACL. 1927, p.133. Att. ds Ac. dep. 1694. Étymol. et Hist. 1. Ca 1050 «bruit, tumulte» (St Alexis, éd. Chr. Storey, 422; 502); ca 1100 (Roland, éd. J. Bédier, 1455; 3842); 2. ca 1165 «dispute, querelle» (BENOÎT DE STE-MAURE, Troie, 17424 ds T.-L.); 1re moitié XIIIe s. faire noise a «engager&amp;#8230;&lt;/p&gt;
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<title>Jesus' Blood</title>
<link>http://post.hautetfort.com/archive/2007/09/09/jesus-blood.html</link>
<author>noreply@hautetfort.com (Paratext)</author>
<category>Muzak</category>
<pubDate>Sun, 09 Sep 2007 20:50:00 +0200</pubDate>
<description>
&lt;div align=&quot;center&quot;&gt; &lt;div style=&quot;text-align: center&quot;&gt;&lt;img src=&quot;http://post.hautetfort.com/media/00/00/b860ef6b997ebc498ffe95b05d229749.jpg&quot; id=&quot;media-538691&quot; alt=&quot;b860ef6b997ebc498ffe95b05d229749.jpg&quot; style=&quot;border-width: 0pt; margin: 0.7em 0pt&quot; name=&quot;media-538691&quot; /&gt;&lt;/div&gt; &amp;nbsp;&lt;a href=&quot;http://www.tinyways.com/media/audio/gavin_bryars_with_tom_waits_-_jesus_blood_never_failed_me_yet_-_05_-_tramp_and_tom_waits_with_full_orchestra.mp3&quot; target=&quot;_blank&quot;&gt;Tramp and Tom Waits w/ Full Orchestra&lt;/a&gt;&lt;/div&gt; &lt;div align=&quot;center&quot;&gt;&amp;nbsp;&lt;/div&gt; &lt;div align=&quot;justify&quot;&gt;&quot;Jesus’ Blood Never Failed Me Yet is a piece of music composed by Gavin Bryars in 1971. It is based around a recorded loop of an un-named tramp improvising a hymn; eventually rich harmonies are played by a live ensemble of strings and brass, always increasing in density.&quot; &lt;a href=&quot;http://www.tinyways.com/2007/03/13/loop-gavin-bryars-jesus-blood-never-failed-me-yet/&quot; target=&quot;_blank&quot;&gt;&amp;gt;&amp;gt;&amp;gt;&lt;/a&gt;&lt;br /&gt;&lt;/div&gt;
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